Editors: Arne De Winde, Sientje Maes & Bart Philipsen
Table of Contents
Thematic Cluster
| Beyond all Bearing. Bespeaking the Intolerable | |
| Arne De Winde, Sientje Maes, Bart Philipsen | 1-4 |
| "A Heart That Can Endure." Blumenberg's Anthropology of Solace | |
| Nadia Sels | 5-18 |
| In Praise of Shadows. Commemorative Images and the Atomic Bomb | |
| Stéphane Symons | 19-34 |
| Transcending Trauma. Thomas Lehr's 9/11 Novel 'September. Fata Morgana' | |
| Silke Horstkotte | 35-46 |
| The Obtuse Space of Carl Theodor Dreyer's 'La Passion de Jeanne d'Arc'. A Visual-Essayistic Approximation | |
| Arnout De Cleene, Michiel De Cleene | 47-62 |
| In the Fishtank. The Biopolitical Imagination in David Foster Wallace's 'This Is Water' and 'The Pale King' | |
| Pieter Vermeulen | 63-75 |
| Being Normal / Not Being Normal. Two Types of Unbearably-Attractive in Literature, Film and Television | |
| Rolf Parr | 76-88 |
| Guy Fawkes in the 21st Century. A Contribution to the Political Iconography of Revolt | |
| Oliver Kohns | 89-104 |
Various Articles
| De 'Fraise et chocolat' à 'Buzz-moi' d’aurélia aurita [sic]. D’un journal érographique à la mise en scène d’une mise à nu dans le contexte du « tout dire » | |
| C(h)ris Reyns-Chikuma, Marine Gheno | 105-129 |
| Locating Gulliver. Unstable Loyalism in James Gillray’s 'The King of Brobdingnag and Gulliver' | |
| James Baker | 130-147 |
Review Articles
| 'In/Fidelity. Essays on Film Adaptation.' David L. Kranz & Nancy C. Mellerski, eds. | |
| Thomas Van Parys | 148-153 |
| 'Comics versus Art.' Bart Beaty | |
| Gabriel Tremblay-Gaudette | 154-156 |


