Guest editors: Hans Coppens, Nele Noppe
Table of Contents
Thematic Cluster
| Subverting masculinity, misogyny, and reproductive technology in SEX PISTOLS | |
| Jessica Bauwens-Sugimoto | 1-18 |
| Mazohizumu no mon: Masochistic and Sadistic Representations of Women in Japanese Exploitation Films and Reidissu komikku. | |
| Emerald King | 19-31 |
| Cream Soda. The rhythm of everyday life | |
| Eleonora Benecchi | 32-62 |
| The Phenomenology of Contemporary Mainstream Manga | |
| Valérie Cools | 63-82 |
| Lolicon: The Reality of ‘Virtual Child Pornography’ in Japan | |
| Patrick W. Galbraith | 83-119 |
| A different kind of cultural frame: An analysis of panels in American comics and Japanese manga | |
| Neil Cohn | 120-134 |
| La double-page chez Hirohiko Araki : l’ubris faite norme | |
| Aurélien Pigeat | 135-149 |
| On The Iconic Difference between Couple Characters in Boys Love Manga | |
| Febriani Sihombing | 150-166 |
| Language as the visual: Exploring the intersection of linguistic and visual language in manga | |
| Giancarla Unser-Schutz | 167-188 |
| Réflexions sur le manga éducatif | |
| Julien Bouvard | 189-205 |
| Understanding scanlation: how to read one million fan-translated manga pages | |
| Lev Manovich, Jeremy Douglass, William Huber | 206-228 |
| Learning from Monsters: Mizuki Shigeru's Yōkai and War Manga | |
| CJ (Shige) Suzuki | 229-244 |
Various Articles
| Pour une lecture postcoloniale de la bande dessinée Ile Bourbon 1730 (2006) de Appollo et Lewis Trondheim. | |
| C(h)ris Reynschi-Chikuma | 245-271 |
| Le récit dans l’image : séquence, intrigue et configuration | |
| Raphaël Baroni | 272-294 |
| La mise en image de La Chaumière indienne par Léon Curmer | |
| Els Jongeneel | 295-317 |
Review Articles
| David Martens, L’Invention de Blaise Cendrars. Une poétique de la pseudonymie, Paris, Honoré Champion, «Cahiers Blaise Cendrars», no. 10, 295 p. | |
| Jérôme Meizoz | 318-319 |


