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Table of Contents
Thematic Cluster
| Introduction | |
| Teresa Forde | 1-2 |
| Remixing Memory through Home Movies | |
| Shaun Wilson | 3-16 |
| Video Installation, Memory and Storytelling: the viewer as narrator | |
| Diane Charleson | 17-30 |
| Spectral bodies, temporalised spaces: Agnès Varda's motile gestures of mourning and memorial. | |
| Jenny Chamarette | 31-49 |
| Television and memory: history programming and contemporary identities | |
| Erin Bell | 50-65 |
| Television Dramas as Memory Screens | |
| Teresa Forde | 66-82 |
| The Lives of Others: re-remembering the German Democratic Republic. | |
| Margaret Montgomerie, Anne- Kathrin Reck | 83-95 |
| Nostalgic [re]remembering: film fan cultures and the affective reiteration of popular film histories. | |
| Nathan Hunt | 96-117 |
Various Articles
| Cinema, Contingencies, Metaphysics | |
| Peter Kravanja | 118-124 |
Review Articles
| Hillary Chute's Ambivalent Idiom of Witness | |
| Charlotte Pylyser | 125-126 |
| Naissances de la bande dessinée de William Hogarth à Winsor McCay | |
| Pascal Lefèvre | 127-128 |