Table of Contents
Thematic Cluster
| New Horizons: Cognitive and Narrative Approaches to US Ethnic and Postcolonial Film, Animation, Graphic Novel, and the Arts | |
| Frederick Luis Aldama | 1-3 |
| Anger, Cognition, Ideology: What Crash Can Show Us About Emotion | |
| Sue J. Kim | 4-17 |
| A Different Postcolonialism: the Cultural Ethics of Yasujiro Ozu’s Late Spring | |
| Patrick Colm Hogan | 18-37 |
| Adapting The Joy Luck Club: Thematic Emphasis through Form | |
| Wanlin Li | 38-48 |
| The Sacred and the Profane in Omkara: Vishal Bhardwaj’s Hindi Adaptation of Othello | |
| Lalita Pandit Hogan | 49-62 |
| The District! and the Autonomous Story Zone | |
| Terence DeToy | 63-77 |
| Ari Folman’s Waltz With Bashir and the Limits of Abstract Tragedy | |
| Nicholas Hetrick | 78-91 |
| I Focalize, You Focalize, We All Focalize Together: Audience Participation in Persepolis | |
| Lizzie Nixon | 92-99 |
| Lost in the Gutters: Ethnic Imaginings in Adrian Tomine’s Shortcomings | |
| Hye Su Park | 100-110 |
| New Approaches to Chicana/o Art: The Visual and the Political as Cognitive Process | |
| Guisela Latorre | 111-122 |
| Assessing Empathy: A Slumdog Questionnaire | |
| Hannah Chapelle Wojciehowski | 123-143 |
| Dancing Across-Cultures in Eitan Anner’s Half Russian Story | |
| Klarina Priborkin | 133-149 |
Various Articles
| "Oh no, not again": representability and a repetitive remark | |
| Matt Tierney | 150-164 |
| Evita, the Society of the Spectacle and the Advent of the Megamusical | |
| Vagelis Siropoulos | 165-176 |
| A Story Told by a Picture | |
| Yeshayahu Shen, Efrat Biberman | 177-197 |
Review Articles
| Review: Fabio Gadducci, Notes on the Early Decades of Italian Comic Art | |
| Marco Pelleteri | 198-201 |


