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Vol 18 No 3 (2017): Horace Walpole
Published:
2017-10-17
Thematic Cluster
Introduction - Horace Walpole at 300
Jakub Lipski
1-4
PDF
At the Limits of Perception: Liminal Space, Vision and the Interrelation of Word and Image in Walpole’s Strawberry Hill, The Castle of Otranto and The Mysterious Mother
Kirstin A. Mills
5-17
PDF
“I do not much observe pictures”, or looking and images in Horace Walpole’s The Castle of Otranto
Tymon Adamczewski
18-29
PDF
The visualisation of Strawberry Hill: A collusion of history and imagination
Marion Harney
30-45
PDF
Imagining the Undefined Castle in The Castle of Otranto: Engravings and Interpretations
Peter N. Lindfield
46-63
PDF
Moving Pictures: The Animated Portrait in The Castle of Otranto and the Post- Walpolean Gothic
Jakub Lipski
64-79
PDF
The Gothic as a mimetic challenge in two post-Otranto narratives
Jacek Mydla
80-93
PDF
“My friend Mr. H. Walpole”: Mary Hamilton, Horace Walpole and the art of conversation.
Nataliia Voloshkova
94-106
PDF
Various Articles
The Verbal-Visual “Touch”: Reconsidering Ernst Lubitsch’s Transition to Sound
Kyle Stine
107-118
PDF
Visual simultaneity and temporal multilayeredness in Thomas Pynchon’s Against the Day
Arkadiusz Misztal
119-131
PDF
Review Articles
Camille Bloomfield, Raconter l’Oulipo (1960-2000). Histoire et sociologie d’un groupe
Jan Baetens
132-134
PDF
Pierre Fresnault-Deruelle, Edgar P. Jacobs ou l’image inquiétée (avec une introduction de Benoît Peeters)
Jan Baetens
135-136
PDF