Published: 2017-10-17

Thematic Cluster

Introduction - Horace Walpole at 300

Jakub Lipski

1-4

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At the Limits of Perception: Liminal Space, Vision and the Interrelation of Word and Image in Walpole’s Strawberry Hill, The Castle of Otranto and The Mysterious Mother

Kirstin A. Mills

5-17

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“I do not much observe pictures”, or looking and images in Horace Walpole’s The Castle of Otranto

Tymon Adamczewski

18-29

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The visualisation of Strawberry Hill: A collusion of history and imagination

Marion Harney

30-45

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Imagining the Undefined Castle in The Castle of Otranto: Engravings and Interpretations

Peter N. Lindfield

46-63

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Moving Pictures: The Animated Portrait in The Castle of Otranto and the Post- Walpolean Gothic

Jakub Lipski

64-79

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The Gothic as a mimetic challenge in two post-Otranto narratives

Jacek Mydla

80-93

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“My friend Mr. H. Walpole”: Mary Hamilton, Horace Walpole and the art of conversation.

Nataliia Voloshkova

94-106

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Various Articles

The Verbal-Visual “Touch”: Reconsidering Ernst Lubitsch’s Transition to Sound

Kyle Stine

107-118

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Visual simultaneity and temporal multilayeredness in Thomas Pynchon’s Against the Day

Arkadiusz Misztal

119-131

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Review Articles

Camille Bloomfield, Raconter l’Oulipo (1960-2000). Histoire et sociologie d’un groupe

Jan Baetens

132-134

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Pierre Fresnault-Deruelle, Edgar P. Jacobs ou l’image inquiétée (avec une introduction de Benoît Peeters)

Jan Baetens

135-136

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