| Issue | Title | |
| Vol 11, No 2 (2010): New Horizons in the Analysis of US Ethnic and Postcolonial Film and Animation Narrative | "Oh no, not again": representability and a repetitive remark | Abstract PDF |
| Matt Tierney | ||
| Vol 10, No 1 (2009): Images of the Invisible | A Comics Studies Reader | Abstract PDF |
| Jan Baetens | ||
| Vol 10, No 2 (2009): The author and his imaginary the development of particularity | A Conjuror's smile: Vladimir Nabokov in The Real Life of Sebastian Knight | Abstract PDF |
| Irina Marchesini | ||
| Vol 12, No 1 (2011): Visual Language of Manga | A different kind of cultural frame: An analysis of panels in American comics and Japanese manga | Abstract PDF |
| Neil Cohn | ||
| Vol 11, No 2 (2010): New Horizons in the Analysis of US Ethnic and Postcolonial Film and Animation Narrative | A Different Postcolonialism: the Cultural Ethics of Yasujiro Ozu’s Late Spring | Abstract PDF |
| Patrick Colm Hogan | ||
| Vol 11, No 2 (2010): New Horizons in the Analysis of US Ethnic and Postcolonial Film and Animation Narrative | A Story Told by a Picture | Abstract PDF |
| Yeshayahu Shen, Efrat Biberman | ||
| Vol 11, No 2 (2010): New Horizons in the Analysis of US Ethnic and Postcolonial Film and Animation Narrative | Adapting The Joy Luck Club: Thematic Emphasis through Form | Abstract PDF |
| Wanlin Li | ||
| Vol 11, No 4 (2010): Photography and the book | Alfred Laoureux Monsieur 2003 Photos | Abstract PDF |
| Jacques Lennep | ||
| Vol 11, No 2 (2010): New Horizons in the Analysis of US Ethnic and Postcolonial Film and Animation Narrative | Anger, Cognition, Ideology: What Crash Can Show Us About Emotion | Abstract PDF |
| Sue J. Kim | ||
| Vol 11, No 2 (2010): New Horizons in the Analysis of US Ethnic and Postcolonial Film and Animation Narrative | Ari Folman’s Waltz With Bashir and the Limits of Abstract Tragedy | Abstract PDF |
| Nicholas Hetrick | ||
| Vol 10, No 3 (2009): Chris Marker (I) | Art and Electronic Media | Abstract PDF |
| Jan Baetens | ||
| Vol 11, No 2 (2010): New Horizons in the Analysis of US Ethnic and Postcolonial Film and Animation Narrative | Assessing Empathy: A Slumdog Questionnaire | Abstract PDF |
| Hannah Chapelle Wojciehowski | ||
| Vol 11, No 1 (2010): Chris Marker (II) | Autour de 1968, en France et ailleurs : Le Fond de l'air était rouge | Abstract PDF |
| Sylvain Dreyer | ||
| Vol 10, No 1 (2009): Images of the Invisible | Avant-Propos | Abstract PDF |
| Christian Chelebourg | ||
| Vol 10, No 3 (2009): Chris Marker (I) | Avatars de l'Histoire, Warburg et Marker | Abstract PDF |
| Barbara Laborde | ||
| Vol 10, No 3 (2009): Chris Marker (I) | ‘Thought-Images’ and Critical-Lyricisms: The Denkbild and Chris Marker’s Le Tombeau d’Alexandre | Abstract PDF |
| David Foster | ||
| Vol 11, No 3 (2010): Hauntings I: Narrating the Uncanny | “Er hatte eine Wasserscheu vor Gespenstergeschichten”: The Ghost Story in Late Eighteenth-Century Germany in the Light of Jean Paul’s Novel Die Unsichtbare Loge | Abstract PDF |
| Elisa Leonzio | ||
| Vol 11, No 1 (2010): Chris Marker (II) | “If they don’t see happiness in the picture at least they’ll see the black”: Chris Marker’s Sans Soleil and the Lyotardian Sublime | Abstract PDF |
| Sarah French | ||
| Vol 10, No 1 (2009): Images of the Invisible | « Ce qu’il ne faut pas voir » dans le théâtre de Maurice Maeterlinck | Abstract PDF |
| Maryse Petit | ||
| Vol 10, No 1 (2009): Images of the Invisible | « L’ombre et la proie » ou comment capter l’invisible dans l’œuvre de Nathalie Sarraute | Abstract PDF |
| Noro Rakotobe d’Alberto | ||
| Vol 10, No 1 (2009): Images of the Invisible | « Une sorte de transparance opaque » Matérialisations de l’invisible | Abstract PDF |
| Christian Chelebourg | ||
| Vol 12, No 3 (2011): The Story of Things: reading narrative in the visual | Belgian Photography: Towards a Minor Photography. | Abstract PDF |
| Jan Baetens, Hilde Van Gelder, Mieke Bleyen | ||
| Vol 11, No 1 (2010): Chris Marker (II) | Blake et le Laocoön : pour une poétique du Mouvement | Abstract PDF |
| Jérémy Lambert | ||
| Vol 11, No 3 (2010): Hauntings I: Narrating the Uncanny | Cats, Postdramatic Blockbuster Aesthetics and the Triumph of the Megamusical | Abstract PDF |
| Vagelis Siropoulos | ||
| Vol 12, No 2 (2011): Memory Screens | Cinema, Contingencies, Metaphysics | Abstract PDF |
| Peter Kravanja | ||
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